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Search resuls for: "Alfred Stieglitz"


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CNN —The dominant perception of early photography from West Africa is that it was taken through a colonizing lens. These are questions asked by a new book that seeks to re-examine the history of photography in the region. Her book demonstrates that gap was short, and history has been obscured in a way that has disenfranchised many Africans. Unlike some other West African nations, Senegal has no recorded history of portraiture before photography, Paoletti said. HUM Images/Universal Images Group Editorial/Getty ImagesTo Paoletti, it’s evidence photography in West Africa didn’t evolve in isolation.
Persons: Giulia Paoletti, , Mama Casset, , , Frenchman Jules Itier, Louis, Paoletti, , “ It’s, Adolphe Burdo, Burdo, visite, Burdo’s, Augustus Washington, Macky Kane, – Paula, ’ ”, Alfred Stieglitz, Fatou Thioune, Paula, ” Paoletti, Oumar Ka, Ka, I’d, Oumar Organizations: CNN, Department of Art, University of Virginia, CRDS, Dakar ”, Sun, The, Institut, du Sénégal, University of Dakar, Princeton University Press Locations: West Africa, Senegal, , St, French West Africa, Belgian, Dakar, , Africa, Berlin, Louis, Touba, Senegalese
Georgia O’Keeffe, ‘Modernized’ by MoMA
  + stars: | 2023-04-27 | by ( Roberta Smith | ) www.nytimes.com   time to read: +1 min
In the spring of 1946 the Museum of Modern Art mounted its first solo exhibition of a female artist: a retrospective devoted to the work of the American painter Georgia O’Keeffe. O’Keeffe’s success owed much to Stieglitz’s promotion, especially his eroticized reading of her paintings of landscapes and semiabstract flowers as expressions of female sexuality. By 1929, O’Keeffe was quite well-off, thanks to Stieglitz’s efforts. Yet for nearly 80 years after O’Keeffe’s MoMA retrospective, the museum didn’t pay her much attention. Since 1946 its O’Keeffe holdings has risen lackadaisically to 13 works, including five from the artist’s foundation and bequest in the mid-90s.
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